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We piano teachers spend so much time working with students on finger technique. What about the feet? Here's a method suitable for intermediate and advanced students! Even elementary students can benefit from the first exercises, and gradually progress through the method over the succeeding years. Informative and insightful, this comprehensive book presents pianists with lessons for developing an artful pedal technique. Features include exercises to develop control of the damper pedal at various depths; and lessons in playing with such techniques as syncopated pedal, simultaneous pedal, flutter pedal, and legatissimo pedal. An entire unit discusses the stylistic principles of applying the pedal to Baroque, Classical, Romantic, Impressionistic, and Contemporary music. Examples are provided from the music of Mozart, Haydn, Beethoven, Schubert, Mendelssohn, Chopin, Schumann, Liszt, Brahms, Debussy, Ravel, Bartok, and others. Examples from the music of North American composers such as Samuel Barber and Aaron Copland are also found in this unique volume. Highly recommended.
A practical series containing five sets of a dozen exercises each. These technical exercises, each named for a different physical exercise, are meant to be done each day before practicing. The trademark stick figures add character to each exercise. The accompanying CDs and General MIDI Disks make practicing fun.
The exercises in Hanon for the Developing Pianist are compiled from Charles-Louis Hanon's classic book The Virtuoso Pianist in 60 Exercises. These exercises have enjoyed tremendous popularity since their debut, and are still the most widely used technical studies in the pianist's library today. Hanon (1820-1900) espoused the most advanced pedagogical thoughts of his time, and sought through his exercises to codify these ideas into a system for strengthening the fingers equally. His ingenious exercises continue to have great merit today for developing finger independence and agility. This book includes informative historical and biographical facts, and retains composer comments and practice instructions from the original edition. Phillip Keveren's orchestrated accompaniments (available on both CD and General MIDI disk) feature a variety of engaging styles - from Baroque to Jazz - and are sure to motivate students to play their best. Both practice and performance tempos are included for each exercise in the book.
The Virtuoso Pianist first appeared in 1873, won a silver medal at the Exposition Universelle in 1878 and since the time of Hanon's death in 1900, it has become one of the standards of piano technique. Part 1 offers early intermediate to intermediate level exercises engraved on two pages, showing a fingering on every note of the first system. This particular edition of Part 1 also includes six variations adaptable to any of the exercises and little known biographical information. Part 2 introduces the core of piano technique. It begins with a continuation of the exercises found in Part 1, gradually introduces exercises designed to prepare the student for playing scales, covers the twelve major scales with their harmonic and melodic minor scales, major and minor arpeggios, chromatic scales and arpeggios of the diminished seventh and dominant seventh. The Complete volume includes Parts 1 through 3. Part 3 contains advanced technical exercises to develop the skills required to play the most difficult piano literature. Octave playing is especially emphasized in Part 3.
Because Hanon's studies are so important, editors Allan Small and Morton Manus have compiled this crucial edition with early intermediate-level students in mind: the exercises are cut in half, hands are placed two octaves apart and eighth notes are substituted for the original sixteenths. Junior Hanon includes the complete Book 1 and excerpts from Books 2 and 3 of C. L. Hanon's famous studies, The Virtuoso Pianist in 60 Exercises, arranged in a simplified and condensed format. Alfred's Junior Hanon now makes Hanon's work accessible to most students.
The Let's Sightplay series has been developed for children at the earliest level of piano study. These creative exercises and miniature pieces have been especially composed to develop fluent music reading. Each book is divided into fun-filled, motivating lessons along with a variety of different exercises. Give your students the gift of good sight-reading - from the very beginning.
After acquiring basic reading skills, students at the late elementary level are ready to begin this innovative series designed to emphasize artistry in the early stages of piano study. The series introduces basic technical skills and expands the student's knowledge of style, form and artistic ideas. The Technique books give students a verbal vocabulary by describing 12 basic technical skills and accompaniment patterns needed to play music artistically and with technical assurance. They also explain these skills in detail (i.e. elastic wrist, two-note slurs, finger independence) and offer exercises to master them. Most of the technical skills in Level 1 involve the use of arm weight. The twelve basic technical skills covered in Level 2 are elastic wrist, strong fingers, wrist rotation, two-note slurs, balancing torso and forearm, finger independence, slurs, forearm staccato, push-off staccato, rolling wrist, arm-to-arm independence and damper pedal technique. Most of the skills in Level 2 involve pivoting the arm. Among other things, Level 3 covers distribution of arm weight and opening/closing the hand in Hanon exercises, arpeggios, and scales. The Repertoire books provide original music by Catherine Rollin, and employ the technical skills taught in the Technique books.
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